Friday, April 28, 2006

Top 5

  1. Matthew Ryan – Irrelevant

It is no secret that Matthew Ryan is one of my favorite artists ever. (And that is not hyperbole) “Irrelevant” is a classic desperate, dark and depressing Matthew Ryan song off his debut album, Mayday.

There’s only one light on in the house

And that’s the light up in the hallway

Shining off the back of my head

And I’m concentrating hard

On the cigarette to the ashtray

And the ashtray back to my lips

So I lean up from my easy chair

I rub my three-day beard

Give a thousand-yard stare

As I recall all the time and the money

We spent

Before I became irrelevant

  1. Willie Nelson – Crazy

I’ve been thinking about Willie for two reasons. 1) I went to Glueks last night and caught the last hour and a half of Mary Lucia’s live broadcast. When I think of Lucia, I think of her playing Willie Nelson’s version of “The Rainbow Connection.” 2) On Sunday night at the 331 Club, there will be a Willie Nelson tribute with a ton of artists participating.

I have always liked Willie’s version of this song better than Patsy Cline’s. I prefer the raw, shaky voice as opposed to Cline’s beautiful instrument. That is not a knock on the supreme vocal talent of Patsy Cline. It’s just that I hear more emotion and passion in Willie’s trembling voice.

  1. Rolling Stones – Can’t You Hear Me Knocking

I was just listening to Sticky Fingers. I always think of this song as the song after “Wild Horses.” I actually had to go look at the name, but the name doesn’t matter, what matters is the rocking guitars and that kind of boogie sex rock that the Rolling Stones are so good at creating.

  1. The Dames Taiwan

I went to Grumpy’s downtown recently and for the first time I didn’t play the jukebox. Usually when I am there, I will play a Pixies song, a Pavement song and this song by The Dames. It is too bad the Dames called it quits because they were one of the few acts that could possibly define themselves as metal that I liked.

  1. Archers of Loaf – Harnessed in Slums

At Glueks last night, I met up with one of my oldest friends. I knew this guy in Germany in the early nineties. I started thinking about those days and how much I absolutely loved this band. (I still love this band)

They were the best at that angular bright dual guitar attack. I regret that I never got to see them live, but as I said I spent those few years in a small town in Germany, which didn’t make many touring band’s itinerary.

They did play once at the Entry after I moved to Minneapolis. I though about going, but I can’t remember why I didn’t. Then they broke up before they toured again. Sad.

Thursday, April 27, 2006

New look

I am playing with new templates. The colors aren't exactly the ones I want, but I am going to work on it. For now, I have to go and do some real work.

Wednesday, April 26, 2006

Best of what?

Apparently City Pages' readers feel that Dazy Head Mazy is the best band in the Twin Cities.

Really?

Are you sure?

I didn't even know they were still around. It's not that I don't doubt that they are extremely popular. It's just that I don't think they are that popular with City Pages' demographic.

Tuesday, April 25, 2006

undescribable disdain

I bet at the front entrance to the clear channel radio complex there is a picture of Jack Sparks with a caption that says, "If you see this man, press the red panic button under the desk."

I love that Sparks is so passionate about music. I think I know what he is feeling when his veins bulge from the sides of his neck as he discusses the ways Mick Anselmo is ruining country music. It is the same rage I feel inside when I am talking to a user on the phone and trying to get them to right-click on an icon and they start babbling on about some stupid unrelated thing that is happening. See. I can't even describe my rage accurately. I am wasting time writing this post because I have two support calls to make that I know are going to put me in a fould mood for the rest of the day.

Okay. Here goes. Pinch my nose and just dive in. I need a new job...

Monday, April 24, 2006

Roller Coaster Race Car Rock 'n' Roll Blue Jeans

I went out to the Hex on Saturday to cover the Stingray Green CD release show. I just wasn’t feeling rock and roll that night. I sometimes get a really bad anxious feeling when I am out. I get that roller coaster stomach where your guts kinda shake and flutter and there is a slight rush of endorphins to the head. This is sometimes thrilling, but sometimes scary. Anyway, I just didn’t want to be around all these people having a good time. I left halfway through the last band’s set just to spend the 15 minutes it takes to get home, alone.

You know I started the Friday Top 5 thing in homage to Jim Walsh’s Monday top 20. Because he is brilliant, he now is doing themed lists complete with pictures. My favorite one is number 26, "Satan, Your Kingdom Must Come Down," by Uncle Tupelo, alongside a picture of President W.

Better spirits later.

Friday, April 21, 2006

Top 5

It’s been a busy week for me. I had a fifteen-page paper and a presentation due on Wednesday about the ACLU. I have a few more articles to finish up for a news writing class I am taking and then I am done for the semester. Unfortunately, I won’t get much of a break. I am taking three classes this summer and in the fall. Plus, I may be taking on a bigger role at the school paper, The Metropolitan. (This is still up in the air at this point.)

I knew I would rely on this trick eventually, but I didn’t think it would be only few short weeks into this top 5 nonsense. Here it is: the next 5 songs that play randomly on my iPod.

  1. P.O.S. is Ruining My Life – P.O.S.

So just breathe and just breathe in and out
You’ll feel a whole lot better
Close your eyes and you’ll see
That if you can’t see them
Then they can’t see you
Just
Close your eyes

  1. 405 – Death Cab for Cutie

I love the line, “Leave your bad habits underneath the patio.” I think they played with Franz Ferdinand (Zzzzz!) last night. HWTS should have a review shortly. I had a long drunken discussion about DCFC with a friend last weekend. I can’t remember the details (due to the drunken part of the conversation) but I know he was telling me that Plans is a lot better than I give it credit for. I don’t know if I agree with that no matter my level of sobriety.

  1. So Pretty – Kid Dakota

What can I say… I am a sucker for these dark depressing indie rock songs. I remember when I first saw Kid Dakota; I thought it was like nothing I’d ever seen before. I still feel that way about this first EP.

  1. Sweet Caroline – Neil Diamond

Damnit. I knew this random iPod thing was going to embarrass me. Yes. I like Neil Diamond. If you can get past the cheese factor, the man is a great songwriter.

  1. Winners Never Quit – Pedro the Lion

I am not really a fan of Pedro. I bought this one album a few years ago and I liked it. Then I saw him live and it just totally ruined his music for me. I have never been bored to numbness at the Entry before or since. I do like this song though.

Friday, April 14, 2006

Top 5

  1. Mary – Langhorne Slim

After seeing Mr. Slim last weekend I finally get it. The show featured Slim and the Memphis band Lucero. I had a feeling that I would like Lucero, but I was ambivalent about Slim.

After seeing Langhorne Slim live though, I have a different opinion. He puts on a raucous and fun show. Talented enough to remake the songs live, weird and scary enough to keep you guessing what was going to happen next.

  1. Sister Jack – Spoon

Spoon is one of those bands that when I finally heard them, I thought, “Why haven’t I been listening to them all along.” I like this song because of the line, “I was on the outside looking in/ I was in a dropped-D metal band we called requiem.”

I was once in a dropped-D metal band and it brings back those memories. (Good memories)

  1. Styrofoam Plates – Death Cab for Cutie

I couldn’t even listen to this song for about a year after my Dad died. I can relate to some of the things in this song, and I feel very guilty about that.

  1. We 3 – Soul Asylum

This is one of my favorite Soul Asylum songs. I have Soul Asylum on the brain this week. They played this past Wednesday at the Fine Line, and there is a Rock for Karl benefit tonight at the Entry.

  1. Don’t be careful with your loveJim Walsh

I have a bit of a man crush on Jim Walsh. Just because he is a brilliant writer and this is a funny, sweet song.

Wednesday, April 12, 2006

Music journalism?

I know it's a very popular TV show, but does American Idol deserve articles from a local music journalist? I know there are many people addicted to the show. I know there are even people whom I would consider hardcore music fans that enjoy the show. But I think most anybody would draw a definitive line between entertainment value and artistic merit.

When record companies whine about shrinking profits, do they realize what the idolization of pop music is doing to their bottom line?

The encouragement and subsequent rewards of the soulless, bubble-headed singers promotes karoake puppets.

Tuesday, April 11, 2006

3 years

Three years ago, I wasn’t surprised.

The battle was long, for you especially, but for us also.

The battle was un-winnable.

So, here it is. Three years since you’ve gone.

The anniversary kind of snuck up on me this year. I was walking down the hall here at work, and like a poison dart to my brain; your face appeared. Then I heard your voice in my head. Then all my thoughts have been black since.

I remember the night I flew back to Virginia. I slept in the office that you had downstairs. You called it an office, but NASCAR paraphernalia filled each square inch of that room. It was your “racing room.” That was an uncomfortable night. Every time I opened my eyes I would see Jeff Gordon, then I would think of you. Every time I closed my eyes, I swear I could hear you talking in the kitchen. You would say, “Hey there!” just like you always did when you saw me.

Here it is. Three years later. I can still hear you. Sometimes I hear myself say something like, “Hey there!” Sometimes I’ll hear myself say that, or something equally insignificant, and I’ll…

Well...

I’ll think of you.

Because that is all I can do.

I miss you Dad.

Saturday, April 08, 2006

Friday, April 07, 2006

Top 5

1. Manifesto – Valet
After writing this, I had this song in my head for the rest of the day.

2. At my job – Dead Kennedys
This is the way I feel some days when I am stuck in my gray “veal fattening pen.” Jello Biafra’s snide, sarcastic singing delivered with a clockwork beat and droning guitars.

I’m working at my job
I’m so happy
More boring by the day
But they pay me

3. What is Truth – Johnny Cash
A coming of age storytelling song in that sing/speak delivery that Mr. Cash employs sometimes. I found this song on the Johnny Cash box set, the first disc of which contains 27 songs. This song came on my iPod and the first verse stuck with me for some reason.

The old man turned off the radio
Said where did all of the old songs go
Kids sure play funny music these days
And they play it in the strangest ways
Said it looks to me like they’ve all gone wild
It was peaceful back when I was a child
Well man could it be that the girls and boys
Are trying to be heard above your noise

4. Bikeriders – Lucero
I just watched “If I Should Fall from Grace” about Shane MacGowan and the Pogues. An excellent look at MacGowan and the way he has decided to live with his demons and the people around him have accepted his demons.
I just bought this Lucero disc because I am covering the show Saturday at the Triple Rock. I swear this song sounds exactly like a Pogues song.

5. Break My Heart – Malcolm Middleton
I was considering the Arab Strap show last weekend, but I ended up not leaving the house too much thanks to a mountain of schoolwork. It did make me think of the solo album by Malcolm Middleton (one-half of the strap). I thought this album was brilliant and severely underappreciated. A lot more poppy than the typical Arab Strap album, but the lyrics are still mostly about chicks and drinking though.

You’re gonna break my heart I know it
But if you don’t
You’re gonna break my run of happiness
And destroy my career
I’d rather feel full than to sing these shit songs
I’ll sell my guitar and never look back

Thursday, April 06, 2006

Music Industry, Schmusic Schmindustry

This is my opinion. If you are involved in promoting artist’s creations, shouldn’t you be concerned with that art and not the money that art can put in you and your companies bank accounts?

Three stories that point to innovative artist marketing tools, the return of the single as a viable commodity and the music industry trying to stop the world from turning.

British singer Sandi Thom hosted 21 concerts in her basement which were broadcast on her website. This stunt helped her garner a record deal with Sony. Here is where my skeptical and cynical side comes in. I think that maybe she wasn’t struggling as much as her and her manager would like you to believe. This reeks of a publicity stunt for her new label. I could be wrong though. I think either way it is a cool story. I like the idea of it, maybe this will launch a myspace concert series where we can watch 16-year-old suburban kids play Metallica covers in their parents basement.

A single by Gnarls Barkley hit number one on the British charts. What makes this newsworthy (or blogworthy)? The song “Crazy” has not been released on an album yet, and in fact, has not been released in any physical form. This song exists exclusively as a download. This is the first strictly digital song to reach this milestone.

Finally, the RIAA says that importing songs from a CD into iTunes violates the “fair use” copyright laws. The RIAA doesn't want people to listen to music apparently.

Wednesday, April 05, 2006

...when inertia grabs the whole damn band.

“What do you want to do?”
When I say I am working on a writing degree, most people ask this question. I say, “Write!”
This week someone asked me why I write about music. All this got me thinking…

I write because I enjoy the process of writing. I like the pressure of trying to find the perfect word and saying it in the perfect way to coax out a bit of emotion in a sentence. I like rearranging the words on the page to make them do slightly different things. This is the reason I write anything.

I can readily admit that I am insecure about my writing talent. Anytime someone compliments me I feel awkward and lose the words to thank that person for reading. I am still trying to find my voice as a writer.

When I was 10, I found my brother’s albums. There was a couple of Rush albums and Synchronicity by The Police. I listened to those albums everyday and memorized the words and I would sing along in the living room before anybody else got home. It was my secret. I have been obsessed with music ever since.

I moved to Minneapolis 14 years later and started a band. I started going to all these clubs and I would see some amazing local bands. They weren’t always good, but they always interested me. Where I grew up, local bands played backyard barbecues, and if they got really lucky they would get a gig at some beach bar, but those gigs came far and few between. Any beach bar that hosted local bands usually, for some reason unbeknownst to me, wouldn’t last long. So, here in the Twin Cities, to see these young bands, and be in a young band that could gig every week in great clubs, even legendary clubs was something special to me.

My band disappeared, but my love for local music has not. I love seeing a band on the stage of the Entry thinking, “Holy shit. This is it!” And they are right: This is “it.” I never grow tired of seeing bands pouring their guts out on the stage, even if it is for 10 people on a Tuesday night.

I know that I would like to be able to pay my bills by writing. I know that is not happening quite yet. My goal isn’t necessarily to be a music writer, but if I am put on the spot, that is what I know. I have in interest in politics, in culture, in human-interest stories. But I don’t have the passion for anything but music. Music is what I think about constantly, music is the thing that I can talk about for hours. I can be ambivalent about most any other topic, but when it comes to music, I am going to have an opinion. I guess that is why my fledgling writing career has gravitated towards music. This is my manifesto.

Monday, April 03, 2006


Today should be a national holiday. Baseball opener. I have sat, in previous years, in front of my TV for 12 hours of baseball. This year I am at work; sweating it out in the gray lifeless cubicles of corporate America, instead of sweating it out on my couch with a cold beer.

Maybe next year I can return to the dream.

The real season starts tomorrow with the Minnesota Twins.

Friday, March 31, 2006

Top 5 for Friday March, 31 2006

I’m stealing a bit from the walshfiles. I can’t quite do 20 songs a week, so let’s start with five.

1.Between Us to Hold – Hayden: A soft ballad from this underrated Canadian songwriter. I’ve been a fan for years, but I just recently purchased the album, “The Closer I get” on which this song appears. When I first got it, I drove around in my truck in the snow with this song repeating in the CD player.

I held your arm as you hit the strings
I pressed your fingers down
and started to sing


2.Cold Rusty Shiver – The Rockford Mules: My new local band crush. If I were a writer with influence in this town, I would try my best to make these guys known. I will try anyway. I love the little staccato slide part in the bridge.

3.Eyeliner Blues – High on Stress: Another new local band crush of mine. When I close my eyes and listen to their album Moonlight Girls, I picture Nordeast, Minneapolis and dive bars: two of my favorite things. I love any song that can deftly name check Keith Richards and the Ashtray Hearts.

4.New Drink For The Old Drunk – Crooked Fingers: A frenetic violin punctuates this march song for aging hipsters. I am still on the fence about Crooked Fingers. I think I am still bitter that I never once saw the great Archers of Loaf in concert. I still have unresolved feelings for the Archers, so I can’t quite let Eric Bachmann move on. I am glad, though, that he moved on in an unforeseeable direction. I enjoy this carnival/ show tune/ folk incarnation much more than I would have an Archers style noise punk continuation.

5.On My Own – The Winter Blanket: A haunting, spare song desperately sung by Stephanie Davila. A perfect soundtrack for a dark room and a cold martini on chilly winter night.

Your perilous prescription list
The problem’s still left unknown
Fighting against
My own guilt
And I can’t do this on my own
If you have
To go------
I pray
You’ll come back home
Home--------

Tuesday, March 28, 2006

Two Shows Last Week

I have two reviews that went up recently. Story of the Sea and The Rockford Mules.

The Mules are kickass.

That is all for now.

Sunday, March 26, 2006

Club Underground

I went to Club Underground for the first time this past weekend. That place is a really unique venue.

When you walk in the upstairs, which is the Spring Steet Bar and Grill, it looks like the typical old-school NE bar. That is, the people there look like they belong there on that barstool, playing those pulltabs and drinking those Michelob Golden Lights. That is why I love NE.

But coming up from a concrete staircase in the corner you can hear the machine gun drumming rising up from the basement.

Walking into Club Underground it looks like it could easily be a VFW meeting place or a venue for a fundraising church bingo game.

The sound is surprisingly good in there. I think it has to do with the low ceilings. There is not a lot of room for sound to bounce around.

I wrote in my notes for the show I was reviewing, "Punk Rock Rumpus Room."

Wednesday, March 22, 2006

Ways not to impress audience members at your Turf Club show

I saw a band last night from Baltimore. They weren’t that good, but that is not my point.

I don’t know if it was the Turf Club’s fault or this band, but I walked in at 10 p.m. and watched them setting up their equipment. I wondered if it was the second band setting up. No. It was the first band just getting around to setting up at 10 p.m. on a Tuesday night.

They went through a pretty drawn out sound check. These guys are on tour, I know they have sound checked before, so I don’t know why they just seemed so confused about the whole process. It took them a half hour to finish saying, ‘OK. A little more vocals if you can… If you could give me more vocals that would be nice, but if you can’t that’s OK. Alright, a little less vocals now.”

Obviously exhausted from that grueling sound check experience the band sat at a table in front and smoked cigarettes for the next half hour. Finally, at 11 they start playing. I won’t go into the performance, I didn’t care for it, but they would have had to jump through burning hoops of fire to impress me at that point.

So, here is the kicker to the whole story: They are off the stage by 11:25.

Here is the final score:
Sound check: 30 minutes
Performance: 25 minutes

Monday, March 20, 2006

Don't call it a comeback

...actually you can call it a comeback.

I have been moderately busy for the last year (well since I stopped blogging in August). Look at the "recent writing" links to the right for a smattering of what I have been up to lately. Oh, and I got married too.

So, this reincarnation of GUTTGL will feature some of the haphazardly written fiction and essays I used to do, but will also feature more music and typical "bloggy" type posts.

I am reviewing two shows this week for How Was The Show. Story of the Sea at the Turf Club on Tuesday and The Rockford Mules at Club Underground on Saturday.

Stay tuned for that and much more.

Friday, August 05, 2005

State of the Union

I have been doing this blog for a year now. I didn't know what I could or would do with this space when I started, but it turned into a way to instantly publish the writing I do in my free time. I don't really know if I will keep it up. When I started I had the idea of posting at least one piece a week. That schedule, although it seems light, has been difficult lately for me to keep up with. My writing schedule is non-existent these days. We'll see if I shut it down for good, but I am definitely going to take a break for a while.

Friday, July 22, 2005

An Open Letter to J Mascis

I wish I could say it was me and not you, or it was you and not me, but it is both of us J. This is not the ‘90s anymore, god those were times weren’t they. Those were times.

I remember vividly riding my skateboard around Denver with a tape of Green Mind playing through my headphones. And I remember driving around my old hometown of Virginia Beach greeting all the ghosts, which drove me away originally, with Sludgefeast as my soundtrack.

I’m waiting… Please come back

I remember Europe with freak scene on every mixtape I made. And when my heart was broken I wrote and re-wrote in my notebook your words to Thumb.

There never really is a good time

There’s always nothin’ much to say

I’m pretty good, not doing bad

If I’m getting’ up most everyday

I bought fossils three times because I kept wearing out the tape. I am sorry that my ex-girlfriend destroyed the Little Fury Things vinyl I owned. Believe me, I am just as upset about that as anybody.

Then there was the last time J; The Boathouse, Norfolk, VA. We had made it through the early nineties intact. It seems. Do you remember Mike smoking a whole pack of cigarettes on stage? Crazy. Remember your eight-minute guitar solo on Start Choppin’? You were, and are, the only person with whom I would sit through an eight-minute guitar solo without rolling my eyes J.

Those were our days J. We owned them. That was ten years ago now. I still love you. I still have that issue of Spin with you on the cover. I still pull it out and read it. I still make castles out of my mashed potatoes. However; I’ve given up the plastic dinosaurs.

Look, my point is that it is now 2005. I bet your upcoming concert is going to rock. I would get all sweaty and passionate, that is, if I were going to be there. Like I have said, I still love you, but I love you in 1995. I don’t want to see you go through the motions pretending to still feel that nineties angst, but really just cashing in.

No, no, no…. Look.

Don’t get upset.

Look, I didn’t even mention how you are playing at the Clear Channel bat-cave, The Quest.

If you were still involved, if you still cared, you’d be touching the kids from the stage of the Triple Rock or First Ave, but hey, I’m not blaming you. You’re not getting any younger. You have bills to pay. All I am saying is I’ll be home thinking of you, but I can’t be with you anymore J.

Here is where our paths split. Keep you chin up, we’ll always have The Boathouse and we’ll always have Keep The Glove.

Monday, July 11, 2005

The song of Carolann

Carolann’s roots are showing. Her bottle blond is three weeks old. She presently has her hair in a ponytail that tickles the base of her neck when she tilts her head back to empty a bit more of the Boone’s Farm strawberry wine down her raw throat. It is three in the afternoon on a Tuesday and she is in her black Mazda Protégé 5, which is parked on 42nd Ave. North where it intersects the parkway.

She parked here this morning waiting for a man. She is playing amateur detective. Joe Lee left her house in the waning moments of a 72-hour marathon of fucking, drinking, smoking, and snorting.

Carolann had been spurned; disrespected as woman the way she saw it. Carolann is not a woman who takes insult easily.

She knew Joe Lee passed this way often and she hoped to find out what he does during the day. She hoped to find demons to hold above him. She hoped to prove she is, in fact, better than him, despite what he shouted towards her on a hazy weekend morning.

The dark circles under her gray eyes have been permanent badges since the first night she snorted crystal meth. She went to drug counseling once, a year into her addiction. She heard herself say, “The first time is so fucking good, it is orgasmic. I felt myself wet all over. Every time I’ve done meth since I’ve been trying to reach that height again.”

This was a lucidity and deepness of thought she reached then, but never before and not since.

The late afternoon sun beared down and her skin cooked; ashen, wrinkled, and used. Her twenty-five year old body looked like a forty-five year old trailer park grandmother’s.

Friday, July 01, 2005

Space

There was a night full of stars and consequences. The Hale-Bopp comet shone faintly above our heads as we wrestled each other out of our clothes. The grass was damp and we lay naked looking at the comet. Speaking nothing between us, we were afraid of the promises we couldn’t make. We made an unspoken promise to not make promises.

Tuesday, June 21, 2005

My Karl Mueller Story


Amsterdam before noon always reminds of the feeling you have when you wake up and find your house trashed and people sleeping on your couch the night after a great party. There is gray haze that lifts around noon, when people start to think about doing whatever it is they do, again. I am sure there are people in Amsterdam who go to work in the morning and go home to their families at night. I’ve never seen those Dutch people; then again, I don’t go looking for them.

Riding the train in from Amersfoort with my friend Ryan and his sister Andrea my stomach is spinning and contorting inside my torso. I try to point my green nauseous head towards the empty seats in front of me and just focus on a single spot and wait out the ride.

We walk from the train station towards where we think the Bulldog is. Ryan and I desperately need something to fill our legs with blood again. We buy a couple tall cans of beer from a small, dirty store and find some chairs set out in front of a café that has not opened yet. It is 10:30 in the morning and the three of us discuss what to do for the day. Ryan and I are nursing our morning beer and Andy is looking at us with bewilderment.

A giant is walking down the street towards where we are sitting. He is over six feet tall and at least 250 pounds. He has wild unkempt hair like licking flames of the sun trying to escape his skull. He has a beard and wears dirty, grungy clothes: this is 1994. He is obviously American and he walks with determination holding a stack of green postcard size paper. As he walks by the table where we sit he lays one sheet of the green paper down. We all watch him walk away and then our eyes float toward the green piece of paper. We, in unison, look at the paper, look at each other, and then back at the paper.

“Does that say what I think it does?” I ask.

“Yeah. Holy Shit!” Ryan exclaims.

Printed on the paper was a picture of four scruffy Minnesota grunge guys and in print it said: SOUL ASYLUM / The Paradiso / Amsterdam.

Ten hours later the three of us are drinking warm German beer and smoking cigarettes inside a beautiful converted church with stain glass windows and elaborate, articulate woodwork. We stand stage right directly in front of where the bass player is set up.

The band walks out and fills the church with feedback and the crowd goes silent, attentive, and ready to erupt. Just when the feedback reaches such intensity that you swear you can actually hear your heart vibrating sympathetic tones: the band falls into Somebody to Shove.

This is the first of many times I would see Soul Asylum perform. They rock for two hours and the Dutch kids are flying all over the place. This is the politest moshing and stage-diving I have ever seen. After the final encore, there is a scramble for anything left on the stage such as set lists and picks and drumsticks. Failing to procure any of that stuff, Ryan finds Karl Mueller’s can of Heineken, still one-third full. The three of us finish it off and Ryan carries it with him on the train back to Amersfoort.

He proudly displayed that can in his dorm room until the day we left Europe. There were many nights listening to Put the Bone In on repeat and singing along, drunkenly, merrily.

The music scene of Minneapolis was one of the reasons I moved to Minneapolis three years later. I can’t make any grand conclusions about Karl’s life. I can’t make any knowledgeable statements about what Karl Mueller meant to the scene. However, I can say that Soul Asylum is legendary in this town and when I think of Soul Asylum, I think of that empty green Heineken can carried from continent to continent and from coast to coast. I remember my first weekend in Minnesota, standing for hours in the cold outside the 400 bar, waiting to see them play. I remember the Thanksgiving eve shows and walking home to Loring Park drunk as hell and being hung-over as I tried to keep the turkey and stuffing down the next day. These are tremendous memories for me. Thank you Soul Asylum for being there, and thanks for the beer Karl.

Friday, June 10, 2005

His Barstool of Choice (revisited)

Larry had been frequenting his pub of choice, The Shamrock, since he moved to Fridley last summer. It was the kind of establishment where mullets, white tennis shoes, and denim were accepted and encouraged. The first time he walked into the bar, Motorhead was blasting from the jukebox. Larry knew he had found a home.

He started coming twice a week, then three or four times a week, and eventually he was there every night. Larry always sat in the same place: at the near end of the rectangular bar, at the first barstool by the wall directly in front of the taps. He drank Michelob Golden Light and smoked Marlboro reds. Frank the Bartender, still though, could never remember. Frank the Bartender knew the other regulars and their preferences, but when it came to Larry, Frank the Bartender never seemed to remember him from one night to the next. Looking and feeling unremarkable his whole life, Larry was used to this. He took pride in his anonymity.

The Shamrock was a local’s kind of place. Everyone knew each other, even if they didn’t necessarily speak to each other. It was a comfortable domain.

Then one night things changed in a peculiar way. A beautiful man walked through the door to the tune of Thin Lizzy’s “The Boys Are Back in Town.” The man had dark, wavy, and slightly greasy, shoulder-length hair and smooth unwrinkled skin. His brilliant green eyes immediately commanded attention. Larry would not normally call a man beautiful, but that is the word that immediately came to the front of his brain. The man was with two squirrelly looking men. They came in, sat in a corner booth and kept to themselves until closing time. They were drinking Guinness and smoking American Spirit cigarettes. All the regulars went about their routine: shooting stick, playing pinball, and pumping quarters into the jukebox for Motorhead, all the while, keeping one suspicious eye on that corner booth.

The next night, all the regulars were there plus the beautiful man and his friends. Then something odd happened: two young, thin, blonde girls opened the front door. They apprehensively scanned all the bodies in the building until their search found its aim. Once their eyes locked on to the beautiful man’s they strolled in as casually as two giddy blondes could. They sat at the booth adjacent to the beautiful man and his squirrelly entourage and ordered a couple shots of courage.

Subsequent nights followed the same pattern. Within a week, the place was packed nightly with young women trying their luck at wooing the beautiful man. Larry sat at his barstool of choice, with his back to the front door, trying to glean insight from the bar chatter. Apparently, the beautiful man was a film actor. Larry heard the man’s name was Colin Farrell. Larry had never heard of him.

After a month, The Shamrock had turned into an MTV-spring break-girls gone wild kind of place — tanned young ladies baring their boobs in tabletop dances; Frank the Bartender furiously scanning his bartenders guide to find recipes for exotic mixed drinks; Colin sitting quietly in the corner; unfazed.

It was on one of these awkward nights that Helena stepped into The Shamrock to the tune of Motley Crue’s “Girls, Girls, Girls.” She, not unlike all the girls who walked into the bar, looked nervously around with her eyes darting from jean jacket to table-dance to jean jacket trying to find the reason she came in. Helena was wearing a plunging, black V-neck shirt with slight lace around the fringes, tight white jeans, and black sandals. Her straight blond hair shone through the smoke and darkness of the bar.

Helena found the empty barstool to the right of Larry and sat slowly and carefully. She looked at Larry and then dug a picture out of her pocket and studied the young man in the picture and then Larry and then the picture. She did this dance until she was sure.

Helena crossed her legs and pointed them at Larry. She stared into the side of his stubbled face trying to will his attention. After several minutes of failing to capture his eyes, she coughed slightly and cleared her throat; Larry still did not turn towards her. Helena uncrossed her legs, took a deep breath, then spoke nervously, but clearly, “You look just like your brother.” Larry’s heart leapt into his throat and his palms began to sweat. He wished, oh God he wished, that he were anywhere but right here at this exact moment. He started to turn towards Helena, but caught himself and instead focused on a spot just below the Miller High Life tap in front of him.

“I wasn’t sure how… I mean… I knew it was you… right when I saw you.” Helena’s voice cracked, but she was losing her inhibition. She was gaining confidence. “I knew it was you.”

It had been three years since Larry had seen his brother Thomas. It had been three years since anybody had seen Thomas. It was right after Larry had run away from home for what would be the last time. Thomas had borrowed his new girlfriend Helena’s car and drove around trying to find Larry. It was raining and the interstate was a slip-n-slide. From what Larry imagined it was broken glass and bent metal and the jaws-of-life and the helicopter flying Thomas quickly to the doctors that would tell Larry’s mother the news. Larry was not allowed to go to Thomas’s funeral. Larry has not spoken to his mother for three years. He has not spoken of Thomas for just as long.

“I knew I would find you someday,” Helena said. “Because Tommy never did, but also, I wanted to see Tommy in you. I miss him. I can see him right here, in you.”

Larry drank his Michelob in big gulps and then inhaled slowly, but deeply from the Marlboro attached to his lips. He looked at Helena with fright and anger and with red in his eyes. He looked at her as if she was a ghost. He saw Thomas in her as well. He couldn’t think of anything to say, he just had swirling thoughts in his head; they were colliding and destroying each other before any thought could be finished.

“I took this picture the morning Tommy died. This is him: forever seventeen.” Helena said, a little less assured now. She had dreamed of finding Larry, but now that she had him, she was unsure of what she needed from him. She felt sick and the noxious smoke and the boozy body-odor of the packed bar traveled through her nose and down her throat stirring up her stomach acid. “Can I see the picture?” Larry asked quietly.

“I have never seen this picture before, it’s weird, ya know?” Larry’s eyebrows dipped down towards his nose causing his eyes to squint slightly, his lips got tight as if trying to hold his tongue and his teeth in place. “It’s funny to see a picture of him I haven’t seen before. It’s like another second of his life I get to share. It’s like he lived a second longer.” Larry tried to find the right words to make sense to Helena, and to make sense to himself. Larry looked back down at the picture and ran his fingers through his unwashed hair. Larry opened his relaxed his jaw and parted his lips to speak, but Helena, now green with nausea said frantically, “I’ve got to go Larry, maybe I’ll see you again.” She put the picture back in her pocket, stumbled quickly out the door, and vomited on the street in the space between the curb and the wheel of a Ford F-150 pickup truck.

Just then, and just as Billy Joel’s ”Piano Man” ended, a bright light appeared, shining through the shaded windows up front. It was yellow like the sun parked on the street outside. Without exception, every head in The Shamrock turned towards the entrance in anticipation. The chatter silenced; the jukebox was stuck in the space between songs; the cue balls were waiting to be struck; the pinballs were waiting to be launched into orbit. The light could have held the bar hostage forever, but instead, faded, and just as mysteriously, the cacophony of the barroom restarted.

It was a couple days before Larry made it back to The Shamrock. He had spent those days in his dark apartment lying in bed listening to the classic rock station and writing letters to his dead brother. They all began with, “I am sorry….” Larry walked in to the silent smattering of locals, the actor stopped showing up and the young firm princesses stopped showing up as well. It was back to just the regulars and the place seemed barren. Larry walked, with his head down, to his barstool of choice and pulled the stool to his right close by. He motioned to Frank the Bartender and ordered a Guinness and a pack of American Spirit cigarettes.

Saturday, June 04, 2005

Fading Out

The light above you is flickering fluorescent rhythms on your head

The doctor’s gray hair and deep, wrinkled eyes give you a feeling

Of hope and trust. He pulls out diagrams of your anatomy and points

To the parts that are living death,

The parts they will pry from your collapsing chest.

The doctor can tell you what it takes to live,

But his somber stare

Falls to the floor when you ask,

“What is it like to die?”

I was in the car when you called and

I told you what they ripped from me

I tried to make it easy. I said the fight is not all in your fists

It is in your will and your soul and your guts

I told you to wake up each day with faith and to be

The person you and I always wished you’d be

I said, “Try it. Nothing will take away your courage; your mind;

Your you.”

I said all that in the spaces between silences and sobs. It is not

In our nature to cry, especially not to each other.

I said all that while in a daze.

I thought later, that what I meant to say was, “It’s like a swarm of a million

Black bees, aiming their death upon the body; your city.”

Then later after they took your lung, and shortly before God

Reclaimed your body; There was the last call.

I was in a dusty, downtown apartment and you were prone

In that hospital bed they moved into the house a half a country away.

And you spoke through oxygen tubes with what was left of your mind.

You were fading out over the telephone. You

Managed to breathe softly to me, “Son.

You were wrong. There is nothing Cancer Can’t take From you.”

Thursday, May 26, 2005

Time to Spare

All the smokers are packed behind the glass of the only smoker-friendly restaurant in St. Louis’ Lambert airport. There is a cloud that hovers in the entranceway. I am in a well-lit, non-smoking bar across the concourse. I am sitting on my barstool with by carry-on bag at my feet staring into a giant mug of beer. I am the single patron seated in the middle of a long row of well-used barstools. If I look straight ahead, there is a mirror behind the hanging glasses and the waiting bottles. If I look straight ahead, I can see the stubble on my face, and red in my eyes, and cloud that must be hanging above me. If I look straight ahead I can see a picture of him, but I look down.

I wait for a flight I would rather not take.

On the other side of that flight there is family and tears and a funeral. There is a casket in some dark back room of a funeral home with a body that used to be a man that is my father.

For now, I run my fingers along the base of the beer mug. The water condensation from the cold beer is making a mess of the napkin underneath the mug. I make a wet ball from the napkin and roll it towards the back of the bar where it stops just short of the edge and quivers and stops. I study the moisture on my fingers. I rub my right thumb and right index finger together to create friction and I hear a faint squeaking sound.

I think of a Sunday afternoon two weeks ago when I dialed his number for last time. I didn’t really know what to say to make him feel better. I think he knew it was the last time to say something special, but his condition would not allow him to make much sense at all.

The bartender lures me out of my own head and back to the present when he asks if I need another beer. I say, “Definitely.” A luxurious cacophony swirls around me: kids screaming, workers laughing, couples fighting, and couples reconciling. There is a basketball game on the TV above the bar. There is a smell of beer and bad airport food. “Why are airport bars so bright?” I wonder to myself. At that moment, the lights dim slightly and a neon Bacardi sign casts an orange glow across my face. I scoot my barstool closer so my chest presses against the bar. The clock on my cellphone says I have thirty-five minutes to go.

The bartender is a wrinkled man with gray thinning hair. With a slow gait, he approaches with another beverage for me. I dig in my pocket for a wadded collection of ones and fives. I give him cash, he gives me beer, and we make our exchange silently. He knocks twice on the bar to signal his thanks and walks away with the same slow amble.

I think of flying in low over the water with the lights of Norfolk shining in my eyes. I imagine the silent drive that will follow and walking into a house haunted by the echoes of his voice still reverberating, his hands still hovering there.

I am joined at my left by an older woman with a bad blonde wig, shiny leather skin, and aqua-blue eye shadow that looks like it was applied with a roller. She smells of gingerbread cookies and whiskey. She orders a double Jack Daniels on the rocks. She catches me sizing her up and says, “I can’t fly without a little drink. I’ll be a nervous wreck once I get up in the air.” When it arrives, she puts it to her glittered lips and snaps her head back violently, dumping the contents down her waiting throat. In awe, I turn my attention towards my beer and sip quickly.

Friday, May 13, 2005

David Day article

I struggled with writing this article. I didn't know if I wanted to tackle a personal and sensitive issue such as this, but then I realized that nobody reads this paper anyway. I am glad I decided to write it.

Wednesday, May 11, 2005

Will you still love me when I'm 64?

Time to wake up and take my pills. This one for the heart, this one for my head, this one for my eyes, this one for my leg. I peek outside and the snow is coming down hard. I am thankful I no longer have to commute in this mess every morning. I have a different routine now that I have retired. My wife is heading out to have brunch with her ladies. I turn on the television to check the score of the Wolves game from the previous night. ESPN 37 usually has the baseball news in the morning and ESPN 58 has basketball highlights. I don’t know what we did before there were 6000 channels to choose from.

I set my creaking bones on my faded lazy boy and enjoy the morning alone. The snow lets up around noon so I head to the garage to retrieve the snowblower. Most people have automated snow removers they can turn on at the flip of a switch and it cleans their driveway in five minutes. I, on the other hand, have nothing else to do all day and it gives me something to complain about.

Monday, May 02, 2005

Gone Fishin'

Be back next week...

Friday, April 15, 2005

pimpled and angry

Open letter to that guy and his friends at The Shins show who were standing by me and insisted on screaming their conversations to one another over the music.

Thank you for your company.

I am glad that you are such a big fan of The Shins. How do I know you are such a big fan? Because when you had your back to the stage and were screaming over the music I heard you telling your friends what a big fan you were. That is awesome. I am glad that you can enjoy a great show by a great band with your back turned and without paying any attention to the band whatsoever.

I would also like to thank you for sharing details of your life with me and the other people standing near you while we were trying to watch and listen to The Shins. Here are some things I learned:

  1. That girl; the one you flirted with all night. She does not want to have anything to do with you. I gathered she is a friend’s sister or roommate or something, she is trying to be nice, but she really wants to tell you to fuck off.

  1. That story you told about how you were upstairs looking for your friend Thompson and you walked up to someone that looked like Thompson from behind and you were screaming, “Thompson, Thompson!,” but the person you were yelling at just stood there oblivious. That was a great story. By the fifth time you screamed that story to your friends I became convinced that the person you were screaming at upstairs really was Thompson and he just didn’t want to talk to you. I can’t blame him. If it was me, as soon as I heard your voice screaming my name I would have run away into the crowd and prayed that you didn’t follow me.

  1. You are not who you think you are. People are laughing at you, not with you. I am sorry you had to hear this from me. I hope it doesn’t affect our relationship.

So, in closing I would like to thank you for stoking my anger once again. I hope the next time we go to the same show you have laryngitis and a broken hip.

Love,

Me

Thursday, March 31, 2005

A Metro Article

Here is an article that appears in the April issue of The Metropolitan.

Tuesday, March 29, 2005

Wedding Bells

I know nothing about weddings except that when I go to them I usually get drunk and make and idiot of myself out on the dance floor. I never put much thought into the planning of an event as important as a wedding. Even while I was buying a ring, I never thought about things like caterers and reception sites and flowers. This was a major oversight on my part. There are things I never knew existed like people whose entire job is planning weddings. I never knew that if you plan on getting married you need to book a place to do it well in advance. I thought it was like making a dinner reservation, that you just called a golf course or a hotel and said, “Yeah, I’ve got 150 people coming in two weeks so you might need to push some tables together or something.”

It doesn’t work that way.

Thursday, March 17, 2005

Dreams

Larry always dreams of black helicopters and explosions and death. His first apartment had railroad tracks in the front yard. Twice a day, three in the morning and three in the afternoon, a locomotive sped by. At first Larry would wake up in fright every time the train went by, later he dreamt straight through. It was here that the nightmares began.

As Larry watched from blocks away, a construction crane dropped a pallet of explosives on the roof of a high-rise apartment building. Larry sweats and pants and wonders why he is the only one that is panicked. People keep walking their dogs, riding their bikes, or moving to the beat of their headphones. A second explosion destroys the neighboring high-rise, still no one notices.

Black helicopters survey the scene circling the destruction like a swarm of flies. Suddenly there is silence the helicopters turn towards Larry just as a third explosion occurs beyond Larry’s view, behind the first two explosions. Finally, there is chaos. Priests dressed in robes of white are running with their crucifixes clutched in their fists. They are running from the explosion towards Larry. There is one priest emerging from the smoke and then Larry notices two, then Larry sees twenty or thirty of these cross-wielding padres running fervently in his direction. He notices the dark around their eyes, deep creviced wrinkles and frothy mouths.

Larry wakes subtly. He is used to the weirdness and destruction. He just stares at the ceiling and tries to think of nothing at all.

Tuesday, March 08, 2005

The Telephone is not Your Friend

The first ring.

I pretend like I don’t hear the phone. “It must be in the cube next to me.”

The second ring.

I look at the small round red light blinking on my phone. My palms are starting to sweat. I look at the clock on my PC and wonder if I can just say it is too close to quitting time to answer the damn phone. I look casually over my left shoulder to see if my boss is there watching me. I stare at the blinking red light again.

The third ring.

Shit. Shit. Shit. It is probably some stupid user. “Why don’t you just reboot? you stupid ass?” I wrap my fingers around the hand piece of the phone, but I do not remove it from the cradle. I can fell my armpits sweating into my sweater. Shit. Shit. Shit.

The fourth ring.

“What is going on here? Why can’t I just pick up the phone?”

The red light is still blinking. The plastic of the hand piece is wet with hand sweat. I can smell my deodorant.

The red light stops blinking and is now unlit. There is no fifth ring. I look around to see if anybody sees me. I hold my breath and listen if anybody is talking about me. I try to make myself invisible. I feel cool as the air conditioning vent above blows dry the nervous sweat my pale skin is covered with.

I stare at the phone looking at the light that lives next to the word PHML. I am waiting to see if it lights up or if I truly avoided something. If I am lucky, the stupid user called someone else.

The light next to PHML illuminates. I decide that I do not notice it and go back to surfing the internet.

Wednesday, March 02, 2005

Finally, a Radio Station Worth Listening to?

Here is an article I wrote a few weeks ago about the new radio station in town. The CP article today motivated me to post. It is weird how much press this MPR-backed station is receiving. I think the backlash is beginning...

Music radio is a good idea, in theory. A person sits in front of a microphone and a CD player playing DJ for a party. Shelves of music surround the DJ. The DJ plays what the audience wants to hear. That is the way it is supposed to be. At some indefinable point in the last fifty years, the concept has shifted from a personal relationship between a listener and a station to a concept of listeners as customers and radio stations as giant profit-driven companies. Somehow, this presentation of artists and their art turned into marketing plans and sales figures and people in suits buying each other expensive dinners. I can not remember exactly when I lost faith in radio, but I can remember when I was saved.

As “The Current” staked their claim in the radio landscape they gave local hip-hop duo Atmosphere the opportunity to plant the flag in the ground. “I wanted to write a song about my hometown”, were the first words sung on the air. These lyrics begin the song “Shh”, which is an anthem about the joys of living in Minneapolis and the Midwest.

The first day in the life of “The Current” filled the airwaves with the kind of eclectic music play list that would have had the president of Clear Channel clutching his heart through his chest. They played local music old and new such as The Replacements and The Owls. They played legends like Billie Holiday, Ray Charles, Robert Johnson, and Al Green. They, of course, played new below the radar bands like Death Cab for Cutie, The Arcade Fire, and Marah.

“The Current”, 89.3, is a radio station that realizes that people over the age of twenty-five still care about music. They realize that just because their listeners have kids and day jobs does not mean they do not still feel passionate about new music.

There is a rich history of music in Minnesota. The big swing bands would come through in the thirties. Rock and roll was revered in the fifties and sixties. There have been many regional and national music legends in Minnesota. From Prince to Atmosphere, from The Replacements to Happy Apple, a diverse and talented musical legacy exists.

Unfortunately, for most artists there has been no place to be heard on Twin Cities radio for the last ten years. There use to be a fostering radio relationship with artists as far back as KDWB in the fifties to REV in the early nineties. Corporations have “killed the radio star.”

“The Current” is an interesting concept: the station is part of an ever-growing Minnesota Public Radio family. MPR is hardly an independent entity. They are, in every sense of the word, a corporate entity. When the new MPR-backed popular music station was announced, it had many people scratching their heads wondering what it would be. On one hand, there was the idea that a public radio station would have a better understanding of what the Twin Cities public lacks in a radio station. On the other hand, MPR being a sprawling corporation, there was a definite chance of this being another in a long line of mediocre corporate radio stations.

In the weeks leading up to the launch, there was a blog started by the 89.3 staff that worked as a communication tool between the clamoring public and the sculptors of the new format. Hope was given via the blog. The blog’s readers were informed of the new DJs and staff being hired and were given the chance to suggest what kind of music they wanted to hear.

The on-air talent that was being assembled was impressive. Thorn Skroch and Mary Lucia, both REV veterans, are respected music aficionados in the Twin Cities. Mark Wheat helped form Radio K, the University of Minnesota’s student radio station, into one of the most respected college stations in the country and is also a highly respected club DJ.

So far “The Current” has been living up to the promises and expectations. The few days following the launch the streets were buzzing with excitement. The local hipsters in blogs, bars, and record stores were all uncharacteristically optimistic. An inevitable backlash will occur just because that is the way the backbiting and gossipy music scene works. Let’s just hope that The Current can fight through that by staying true to its eclectic vision.

Tuesday, March 01, 2005

The Metropolitan

An article I wrote appears in this months Metropolitan.

Monday, February 28, 2005

More boring by the day, but they pay me...

I work in corporate America.

Corporate America is soulless and depraved.

Does that make me soulless and depraved?

The company I work for has been around for almost seventy years, but has grown wildly in the last twenty. The practices of my company are in direct conflict with many of my personal beliefs. This is not a diverse company. All of the many vice-presidents are middle-aged white men. If you walk the halls of the sprawling suburban corporate campus, you will see an alarming lack of minority employees.

If there is a successful locally run small business in any town in America that does what my company does, that mom-n-pop business will be targeted. We will saturate the town with salespeople and try to steal their customers with prices lower than the local business can afford. If this is not successful in putting that company out of business, we then offer the owner of that small business a large sum of money and a director’s job with the company. We then absorb that locally owned company in to the giant corporate behemoth that is my company. Of course, those low prices do not stick around and that saturation of salespeople does not last.

Therefore, the people of that town are stuck with one company to fill their needs.

Us.

Monday, February 21, 2005

Listen to music

Juan Appagado

Bubba Loo Hugby

We're gonna need golf shoes...

“Don’t take any guff off those swine.”

I was shocked to hear the news this morning about Hunter S. Thompson. He took his own life this past weekend. When thinking about the life he has lived it makes most people’s lives look like they were lived as puritanical shut-ins. I think it is amazing that he lived this long. There is no way he could die from natural causes. He was obviously super-human, impervious to the wounds that wear down normal people. He grew stronger. The only way he could die is by doing it himself. Can you imagine Dr. Gonzo in a nursing home?

I wonder what the legacy will be: great American writer or great American lunatic. He invented a style of writing, gonzo journalism. He told the truth through the filtered lens of his whirring and ebullient mind. His mind wired unlike any other, spinning backwards and curling upwards; turning inside out and spitting up brilliantly mad prose.

His insanity was not an act. He knew he wasn’t like you. He kept to himself, for your safety. Fear and loathing at the gates of hell.

Thursday, February 17, 2005

In the morning

Larry drove towards downtown on Lyndale Avenue. His head was pounding and all the thoughts within that head were fuzzy. As he drove slowly and cautiously, the façade of the CC Club shone in the corner of his eye.

Larry decided it made more sense to go there now than go home, sleep on the couch, and suffer the demons of hangover. It was 9:41am according to the digital display on the car radio.

The CC did not open until 10:00am.

He found a parking spot on a street behind the bar. As he parallel parked, he may or may not have passed out momentarily. He stumbled out of the car, stepped in a puddle of melted snow, and broke through a thin pudding skin of ice on the top.

The cold morning air attacked his nostrils and mouth and suddenly Larry did not feel stable. He tried to run behind an abandoned building, but he could not make it. He stood knee deep in the front yard of a run down duplex. His hands were on his knees as a steady stream of vomit and mucus exited his facial orifices. The hot vomit melted the snow and formed a perfect spray pattern. It also turned the blinding blue-white snow to a putrid shade of yellow-green-brown filth. Larry had not remembered the last time he ate, but apparently, corn was involved.

He wiped his mouth with the sleeve of his flannel and walked around the corner and up the block to the door of the CC Club, which had just been unlocked.


Monday, February 14, 2005

Valet is Contagious

Valet don’t get anywhere in a hurry. They don’t scream for you to follow them. They don’t boast of the greatness they are achieving before they have achieved it. No. Instead, they come to you casually, they get you to buy them a drink and then say, “Hey. Did you hear about Johnny Ace?”

The bed of music where these stories lie is the kind of perfect pop that reminds you of other local bands like The Hang Ups or a less bombastic Olympic Hopefuls. When the band drops out and singer Robin Kyle and his guitar backpedal from a former lover you realize that sprinkled on top of those sugar melodies are a dirty, nuanced, and dark lyrical world.

The dive bars are where the characters in Valet’s world live. They are picking up pieces of their lives, their relationships, and their memories of the night before. While not a concept album there is this theme running throughout. That is the idea that we are all searching for an answer for what to do next. We do this by drowning our sorrows at Stand Up Franks. Or by driving out of town while Dylan is cranked. Or by trying to sew the last remaining threads of a relationship back together.

This is not unfamiliar territory for a rock band. There are as many songs about girls, booze, driving, and death as there are bands to sing them. Robin Kyle, however, doesn’t play the victim in these vignettes. He just paints the picture and lets you judge and that is why the songs work upon repeated listening.

This is the band’s second full-length record and it arrived with much buzz. What is unusual about that is that Valet are collectively recluse. They rarely play shows, so in turn they rarely promote themselves. That is why it is astounding that this CDs release was accompanied by mainstream press coverage and a packed Turf Club show. I think it very surprising in this decade that music can sell itself just by being great music. It gives hope to the cynical, withered music lover’s soul.

Wednesday, February 09, 2005

The answers

1. I thought it was green.

2. Oh, that naked santa.

3. 33 1/3

4. The green hillside of an irish town on a crisp autumn morning.

5. boobies.

Saturday, January 15, 2005

Lonely on the floor

I tried to feel your eyes upon me from the stage, but the noise and the lights got in the way. I saw you across the room after the show, but you were talking to him and my head was still spinning down. All the hand shakers were telling me how great I was. I thought I didn’t need you anymore.

Our eyes met as I carried my guitar out the door. I tried to shout and scream with my eyes, but I know they only looked drunk, tired, and blue.

I’ll be drinking and driving all night long. If anyone needs my I’ll be stranded on the side of the road.

Saturday, January 08, 2005

Before Lemmy

Larry spent his high school years living in a trailer with his Mother Irene and his little brother Thomas. This wasn’t a fancy trailer like you see in movies. This was an aluminum box designed to be on wheels but was now supported by concrete blocks and timber. They lived “off the grid” and pretty much off the face of the earth.

This aluminum box sat in what Larry supposed was an abandoned farmer’s field. There was a dirt road a quarter of a mile outside the front door of the trailer. There was an ever-growing pile of trash a half mile outside the back door. They cooked their food over the same kerosene heaters that they used for heat. There was convenience store a mile down that dirt road that had an active water spigot behind the building. Irene, Larry, and Thomas would lug jugs and bottles down to the store to fill them up for water with which they would bathe, drink, and cook.

Irene worked at the Burger King in town once. That was the only job Larry remembers her having during his high school years. She, of course had an affair with the manager and when the manager was through having fun with her, well, Irene was collecting unemployment again.

Larry tried to keep up with the kids in his class. No one knew where he lived or how he lived. He would steal nice clothes, but from the wrong stores. He would always be on the tail end of fashion. He would steal a polo shirt and bugle boys from the Kmart and show up Monday morning to see the kids wearing tie-dye and acid wash. He would steal acid wash jeans and an OP sweatshirt and the kids would be wearing flannel and converse.

Larry barely graduated and not long after he met a girl while jockeying the register at a Pizza Hut. After a month of dating, the girl really wanted to see where Larry lived. Embarrassed while she drove the three miles that he walked everyday between town and the aluminum box, he kept his head down and looked away the entire three-minute ride.

There was a look of fright in the girls eyes and Larry would have seen it if he could bring himself to look at her. Irene was at the door smoking a Marlboro and wearing a housecoat. The girl let out a barely audible gasp. Then she was struck by a trembling, unwashed, ashamed, open fist.

The girl cried and ran to the car and drove wildly home.

Irene cried for herself and for her son. She walked over, with a closed fist struck, and drew blood from Larry’s nose. Then she just stared with shame and fright.

Larry cried and did not wipe the blood from his nose. He looked up at the gray dusk sky and then slowly walked in the opposite direction of town.

Thursday, January 06, 2005

A Useful Phrase

Here it is:

"You dirty sonuvabitch."

enjoy.

Sunday, January 02, 2005

James Brown, Introduction, Part one

James Brown is a chocolate easter bunny. His whole life is dedicated to making kids happy on Easter Sunday Morning. He lives in a forest. A forest of licorice and gum drops and edible ferns. His best friends are a trio of triplets named the licorice whips. Leon, Karl, and Sylvester Whip. They are of the gum-drop forest Whips; an esteemed family of candy kingdom royalty.

Friday, December 17, 2004

Big Mama

It was a party night in Chicago. Dan drove hurriedly through the streets pointing out landmarks along the way. We were headed to The Baton for a song and dance review.

As Dan told tragic stories of Cabrini Green, I stared at the wet street zipping by and wondered if I was ready for my first drag show. I was not sure what to expect. Was it going to be fat guys with five o’clock shadows dressed in cheap thrift store cocktail dresses lip-syncing badly to It’s Raining Men. Was it going to be erotic and sensual thus making all the straight people a little nervous.

There was an ill-tempered little man working the door of the club as we tried to enter. Refusing to show even the slightest sign of a smirk he alternated scowls towards me and then at my out of state ID. Eventually after a consultation with some sort of management figure, I was allowed to pass through the doors.

It was dark. There were low red lights hovering above the tables and a few scattered white lights behind the bar, but mostly it was just dark. It was also the best smelling bar I had ever stepped in -- and I have stepped into many, many bars. It smelled like Christmas. After all the presents are open and there is that paper and sweat and joy in the air. All of that with a hint of bubble gum and gin lingering just beneath.

I sat down at a small table with a gin and tonic in front of me. I noticed the crowd all seemed to know each other. There were lots of hugs and smiles. There were many good vibes in the air. The sound system was pumping out some smooth jazz muzak tunes. This was a surreal environment.

The lights flickered moments before the stage lights came on. A woman of considerable girth strutted to center stage, glared at the crowd, and instantly took control of the room. It was Big Mama, the MC of the evening’s performance. Of course, technically, Big Mama was more suited to be a papa, but she was a diva. She sang a song and oozed attitude through out its length. The other “girls” came out and danced and shimmied and pranced.

As the show continued, I noticed the performers were actually very beautiful. You could tell they were men, but they were oddly sexy. As I was pondering this revelation, I began to notice the crowd in more detail. The beautiful women were actually beautiful men.

The songs went on. There were girls lip-syncing solo, there were duos and trios as well. They performed Billie Holiday and Aretha Franklin. They performed sultry jazz numbers and rave-up disco anthems. Each song built on the last and the momentum continually lurched forward. The crowd was in rapt attention; clapping and yelling wildly every chance we got.

The finale came in the form of a group performance from all the girls that included a chorus line and some Broadway choreography. The last beat hit and the lights went down as the audiences hands went up.

I felt like I was in a movie. The lush surroundings of this red lit bar and electric joy that pumped through all of us infused our mind and bodies with a natural euphoric high. There was diverse cast of characters roaming the bar. None of us knowing gay from straight. We were unable to differentiate genders. This was actually very settling. It took a burden off your shoulders. They were things that didn’t matter inside the four walls of this club.

We left the club and adjourned to a local pub. It was a pub full of stereotypes and prejudices. We assumed everyone was straight. Everyone’s gender was clearly assigned. I thought of the fears I had a few hours prior and realized how naïve they were. I was actually a bit regretful to leave. I was jealous of a community that exists outside of everyday society standards. I wondered what goes on behind closed doors all across the country. I learned that fun is fun, no matter the situation, or whom you love, or what you feel sexy wearing. I learned that men can be gorgeous woman.

Friday, December 03, 2004

Left Hand

Back when I would leave my land
I could take on any man
Using nothing but my left hand

Now I don't see the light
Except when it cuts through the dark
And I can't narrow my eyes enough to fight


Tuesday, November 30, 2004

Barstool of choice

Larry had been frequenting his pub of choice, The Shamrock, since he moved to Fridley last summer. It was the kind of establishment where mullets, white tennis shoes, and denim were accepted and encouraged. The first time he walked in to the bar, Motorhead was blasting from the jukebox. Therefore, Larry became a regular.

He started coming twice a week, then three or four times a week, eventually he was here pretty much every night. He drank Michelob Golden Light and smoked Marlboro reds.

The Shamrock was a local’s kind of place. Everyone knew each other, even if they didn’t necessarily speak to each other. It was a comfortable domain.

Then one night things changed in a peculiar way. A beautiful man walked through the door to the tune of Thin Lizzy’s “The Boys Are Back in Town”. Larry would not normally call a man beautiful, but that is the word that immediately came to the front of his brain. The man was with two other squirrelly looking men. They came in sat in a corner booth and kept to themselves until closing time. They were drinking Guinness and smoking American Spirit cigarettes. All the regulars went about their routine: shooting stick, playing cards, and pumping quarters into the jukebox for Motorhead. All the while keeping one suspicious eye on that corner booth.

The next night all the regulars came back plus the beautiful man and his friends. Then something crazy happened, two young, thin, blonde girls opened the front door. They apprehensively scanned all the bodies in the building until their search found it’s aim. Once their eyes locked on to the beautiful man’s they strolled in as casually as two giddy blondes could. They sat at the adjacent booth the beautiful man and his squirrelly entourage and ordered a couple shots of courage.

The following nights followed the same pattern. Within a week, the place was packed nightly with young woman trying their luck at wooing the beautiful man. Larry sat at his barstool of choice, facing the front door, trying to glean insight from the bar chatter. Apparently, the beautiful man was a film actor. Larry heard the man’s name was Colin Farrel. Larry had never heard of him.

After a month, The Shamrock had turned into an MTV-spring break-girls gone wild kind of place. Tanned young ladies baring their boobs in tabletop dances. Mickey the bartender furiously scanning his bartenders guide to find recipes for exotic mixed drinks. Colin sitting quietly in the corner, unfazed.

Then the actor stopped showing up. The nubile young princesses quickly receded. Larry walked in on Wednesday night to a silent smattering of locals, sat down at his end of the bar, ordered a Guinness, and lit an American Spirit.




Friday, November 19, 2004

Bad Luck

So I was thinking about wolves this morning on the

drive to work.

That wolf in little red riding hood was kind of a
freak. Sneaking into little old ladies houses and
putting on their clothes. He is a cross-dresser. It
reminds me of silence of the lambs. What kind of story
is that to tell kids.

The wolf in the three little pigs. That guy caught a
bad break. You can't blame him for trying to eat the
pigs. He is a carnivore. He is hunting.
How did he know that the three pigs he was tracking
were actually construction engineers of varying
degrees. I mean imagine you are a wolf trying to hunt
down some dinner and all of a sudden your dinner is
building a fortress to keep you out.

The wolf probably improvised all that "huff and puff
and blow your house down" crap. But really he was
probably in shock. Looking back on it I bet he is
embarassed by it, but he was put on the spot by those
three clever swine.

It was unfortunate for him that there was a
documentary crew there to witness the events. I am
sure he was the laughing stock of the den when that
book came out.

It was scandalous.

Monday, November 08, 2004

Disintegration

When I was fifteen I started writing a movie. It was not very good. At fifteen I didn't know much about the world (hell, at thirty-one I don't know much about the world). It was basically a woeful tale of teenage depression.

What better muse for a movie of teenage depression that The Cure. I was obsessed with the album Disintegration. I listened to on my headphones on the bus to and from school. I would rewind the tape replaying the song Disintegration over and over.

I had the whole movie mapped out as a companion to the album. It was kind of like Pink Floyd's The Wall -- except at that point I had never seen The Wall. I don't remember any of what the movie was exactly. Luckily, that and most of my writing from those years are missing. Hopefully destroyed.

(Maybe one day when I am famous someone that finds those notebooks in the attic or something will sell them on eBay for thousands of dollars.)

I listen to that album now and I feel nostalgic for that morose teenage life. It just can't affect me in the same way. I feel the sadness. The album is still fucking great. But there are things that being a jaded thirtysomething takes away.


Tuesday, November 02, 2004

bye bye seventh street

The greatest rock club in the world has shut down. I am thinking it will only be a temporary closure but it is scary nonetheless. There have always been rumours of it's demise floating around the city. I don't think anyone thought this club could die.

They have been experiencing many difficulties lately. Lots of lawyers involved and feelings getting hurt. The recently ousted managers are rumoured to be taking over ownership once the current owner is shown the door. Hopefully Steve McClellan, manager for something like thirty years can right the ship as owner and manager.

We'll see. For now first ave stays dark.